In the name of Krishna ...

- Meets the word tune - Rajesh Vyas' Miskin

- He did not share his grief with anyone. O Lord of all happiness, how lonely are you?

Mourner

Putting an umbrella bed ...

People that lie down ...

Vyatha koineye na venchi re,

What a lonely ...

In Gokul, the cow grazed,

Then the sheep ran away ...

Gathered and spoke the name,

Vad medana nivadya teta re ...

The last one said nine,

Avatar Sameta Re in an instant ...

- Rajendra Shukla

Ghazals written in Gujarati language are a handful higher than ghazals written in other languages ​​of India. In terms of subject diversity and spiritual depth, even Sawai seems to be better than Urdu. If we consider the beginning of Gujarati ghazal from Balashankar, Kalapi and Manilal and reach the ghazal written today, it is as if the journey from Gangotri to Gangasagar takes place. At one time, ghazal was just a conversation with a sweetheart. There is no beat of life living in terms of subject diversity today that ghazal writers have not tried to ghazal-bind.

Poet Rajendra Shukla has plowed into other forms of poetry but his greatest contribution is in the field of ghazals. Ghazals have explored the immense possibilities in both internal and external forms. 'Shokodgar' is a ghazal-like eulogy. It is an epitaph addressed to Lord Krishna. In ghazals he has examined forms like doha, sortha, bhajan, dhol, chopai, perennial. And in ghazals like perennials, he has brightened the form of ghazals. The whole process, which he started with a perennial form of poetry in the form of a ghazal, seems to end with a mursiya written with Krishna at the center.

K એટલેષ્ણ એટલેa means attraction. K એટલેષ્ણ એટલેa is the all-pervading Supreme Being. Numerous songs have been composed by many poets about Krishna and Radha, Krishna and Meera, Krishna and Gopis. Surdas's verses come to mind instinctively. Even poets like Raskhan have composed wonderful compositions about Krishna. K એટલેષ્ણa means supreme bliss. Harindra Dave's novel about Krishna "Madhav is nowhere" ... is worth reading. The tragedy of Krishna's life is introduced there. The greatest tragedy of Krishna's life is that everything has come out of his life one by one. First the mother leaves, then the father leaves. Then the Nand and Yashodaji who meet also get released. Then Sagavhala and childhood friends are also released. Then the Nand and Yashodaji who meet also get released. The rest of Sagavhala and childhood friends are also released. Radhaji is also released in life. Gokul is released and then Mathura is also released. All the things, all the kinship, all the places, are gone one by one. In the midst of so much melancholy, his special smile does not leave his life, his face. Purna Purshottam has always been smiling. In each case, they have seized it, despite obstacles we can scarcely imagine. " Have been positive. Even after everything was released, his smile did not differ from hers.

Mercia Rajio is a song sung at the time of the eruption of the dead. Ray ... then the mourner lengthens and the merits of the person who is going, his memories are sung in a rhythmic way. If there is a hymn or a song on Krishna. But here it is a ghazal on Krishna and that too in the form of Mursiya. This is a special experiment done in Gujarati language. The ghazal is the one who has the pod.

Plenty of ghazals are written today in bulk. Abdul Karim Sheikh, who recently passed away, says in one of the ghazals of his collection of poems 'Tamari Vastu' that ...

The words are innumerable, not even a single ghazal,

In the rainy season, the crop is not a single particle.

Ghazals abound but Narya rhymes. However, the answer to Rajendra Shukla is also in the ghazal.

Coke rarely incarnates love,

This ghazals make you go to Ur!

Somvalli hai Ghazal, Jan Kok Jirve,

When does it happen to everyone?

Pujya Dongreji Maharaj has said a wonderful thing that if God falls in the body, he will cry. Rajendrabhai's first perennial ghazal experiment is the Musalsal Ghazal. And it is clear in the first two lines of the ghazal that it is now a matter of eternal bereavement. The beloved character has gone in a direction from which there is no possibility of him coming back. As if the background of this mournful ghazal is the perennial ghazal.

Sajan, watching from afar,

This is how the year is coming

Tribhuvan's Nath Shrikrushna Bhagwan, who lives in Sonar Dwarka, has left everything, umbrella, bed, chariot of gold and put it all away, and in the last moments of his life, he is sleeping under a banyan tree in Bhalka village near Somnath. In the tenth chapter of the Bhagavad Gita, Vibhuti Yoga, he states that in the trees it is pipal. The last breath of life does not support umbrellas and beds. The shade of the peepal is the sleep. Lord Krishna is intermediate. Arjun, Sudama, Radha, Gopis are the only ones who can recognize the value of even the smallest devotee. He did not share his grief with anyone. O Lord of all happiness, how lonely are you?

K કૃષ્ણa has not gone back to where He has gone. We leave home for two days and do not sleep. The best animals in Gokul are grazing cows. Experts say that there is compassion and love in the eyes of a cow. He who has grazed cows in Gokul has driven sheep all his life. Only flocks of sheep. Gathered and spoke the name ... When we come to this share, we know that the word Vadcheda is used here in Kutchi language. It is dark under the lamp. Vad teva teta may be a proverb, but it does not happen that the samarths get the samarths there. On the contrary, at the end of the day, they have to remember.

In the eighteenth chapter, Krishna, who has given an incomparable gift to the world in the form of Srimad Bhagavad Gita, has not uttered a single word. Didn't let go. Has summed up his incarnation in an instant. No one in the lineage was able. A giant incarnation wraps up its green in a moment.