You showed Abad Khel! .

- Seminar of Parijat- Dr. Kumarapala Desai

- 'Your salary is half, I can't even give you a quarter of it, but I have to do plays again and venture. You support me. '

If you want to see the wonder of this lum, you will see it in the old theater of Gujarat in history. When the mind feels the burden of melancholy, it takes a stroll through the business theater of Gujarat and it experiences some surprises and joys here. Let's talk about the ups and downs of that time and the theater of that time or let's remember the acting of the actors and the mood of the actresses, let's remember the superior directors one by one or the musicians who are raining 'Once More'.

We have completely forgotten the thrill of this theater and then many occasions come to mind that even today those who dedicate themselves to the theater are reminded of Sahu. Born in 19 and died in Mumbai on January 20, 19, Mohanlalji was a popular actor whose playwrights of the time wrote plays based on his lead role. The audience was stunned when he assimilated into the role through which his speech, gait and facial expressions were expected to impress the audience and also showed the evil as a villain hidden in his mind through the wrinkles on his eyes, eyebrows and forehead.

Such Mohanlala played the role of Bihari in the play 'Ek Abla' in which Bihari orders his wife Niru to drink alcohol and his wife refuses. At that time, his wife Niru pretends to be whipped while speaking in a harsh manner revealing his evil. Munnibai, who played Anne's wife in the play, said to Mohanlal during the grand rehearsal, 'Who will believe me if you whip me like this? He said that the artist should act out the truth as the truth.

After this 'Bihari' play was performed in Vadodara, on stage, as a Bihari, Mohanlala started whipping his wife Niru violently and said, 'If I don't drink, I will take off my skin.' Bihari's wife becomes helpless on stage and cries out to God. Mohanlal played this scene in such a way that his cruelty could not be satisfied by the audience. At first, the audience shouted, "Stop Abe." After making such loud noises and then the audience felt that Bihari's wife Neeru Bichari would die from all these hunter's beatings and so the audience rushed towards the stage in anger and started saying, 'Hey, is this a drama or an atrocity?'

Some angry spectators rained shoes on Mohanlala and at that time the owner of the drama company had to come running. Its owner Nakubhai pulled down the curtain and came out of the curtain and said, 'Hey brother! This is all a drama, not true. ' However, the agitated audience did not calm down and there was a fear that there would be a big storm in the theater. So Munnibai, playing Bihari's wife Neeru, came on stage and smiled and explained, "No matter how much Hunter gets hit, nothing will happen to me." "I'm wearing a leather coat inside," he said. And when he showed the coat, an atmosphere of humor arose in the angry audience. At that time, Vishesh Sahu called his confidant Mohanlal and said, 'You played Abad Khel.'

When it comes to 'Once More' of songs, Ashraf Khan automatically comes to mind. When Mohammad Ashraf Khan Pathani sang while wearing a mustache, muscular body, furry lehenga, warm half coat and furry red hat, everyone would not only applaud, but also make the hall roar with the demand of 'Once More'. In childhood, he goes to study during the day and sings in the theater at night.

In 1907, Ashraf Khan joined the theater troupe. At that time, in the Wankaner Satyabodhak Natak Samaj, Ashraf Khan used to get two paise per experiment for singing melodious songs from behind the scenes. After that he continued to study drama and got training for Takhta and the theater mobs of that time taught Ashraf Khan to speak pure Gujarati. He played the role of Munj Raj in the play 'Malavapati' of Shri Laxmikant Natak Samaj written by Prabhulal Dwivedi in 19th.

Behind that role is the history of Dilawari. At that time World War II was raging. When Sahu felt exhausted in the theater, he approached Ashraf Khan and said, "Your salary is half, I can't even give you a quarter of it, but I want to do plays again and venture." You support me. ' At that time, the financial condition of the Aryanitik Natak Samaj Natakmandali was not good.

Nandalalbhai told Ashraf Khan, 'Relationship is a big thing, not salary. I am ready to play you there under any circumstances. ' And then in the plays 'Malavapati', 'Sirajudaula', 'Sajjan Kon' and 'Samudragupta', Ashraf Khan showed such acting style and song style that the old memories of the theater were refreshed in the minds of the audience and the audience often had to go back without getting tickets. At that time movies also started earning six hundred rupees. In the days between getting tax free fourteen hundred rupees on Saturday-Sunday for the play 'Nitidarshak', one hundred and fifty one rupees in 'Laxmikant' and one hundred and fifty rupees in the play of 'Arya Naitik' society.

While Nandlalbhai was thanking Ashraf Khan, Ashraf Khan said, "Zindagi mein aise bhi din aate hai biradar, sub parvardigar ki raham hai." This Ashraf Khan used to sing the songs of this Ashraf Khan many times in 'Sirajudaula' in 19. 'The pure lover of the heart has little knowledge of the corporation,' was the song that bloomed eighteen times. In the same way, his song 'No one goes to the same happy days' is also famous. Ashraf Khan, who was fond of exercise and paan, used to eat daily after feeding the poor and the fakirs. He played the role of Munj in Mumbai for the 25th time in the play 'Malavapati' and he played this role more than 27 times.

Ashraf Khan had fixed a place near Danilimda in Ahmedabad and said, "Bury me here." He died in Rajkot on the 19th. His body was brought to Ahmedabad and buried at Ganj Shaheed Cemetery in Danilimda area of ​​Ahmedabad, which became a dargah.

Gujarat still cherishes the artistic talent of an artist like Mohanlal or Ashraf Khan!

Manzrukho

Sukarno's father, who lives in Indonesia, was a teacher at the school. His son Sukarno insisted one day that he did not want to go to school under any circumstances. It does not fit into the school at all.

When the teacher's father tried to persuade his son with love, he said to Sukarno, "Everyone is making fun of me in this new school. Makes fun of me, annoys me. "

Her father explained, "This is what happens when we go to a new school. It will be like this for a while, but then everyone will relax and become your friend. '' However, reluctant to go to school, Sukarno knocked down the book. The parents decided to seek the help of an experienced person. He took the experienced Sukarno to a small spring and in the midst of its flowing stream he threw a large stone and said to Sukarno, "If, what is the obstruction of this stone in the water of the flowing spring?"

It so happened that the water stopped due to a large stone, but soon the water started flowing at its own speed and the stone sank into the water. He said to Sukarno, 'Son, don't be alarmed by any kind of trouble or obstacle. If true! How is water moving even after overcoming obstacles, when you are a human being and are afraid of difficulties? ”

Sukarno was touched by this. He started going to school the next day. In time, her classmates became her friends. In time, Sukarno graduated and freed his motherland, Indonesia, from Dutch government and remained president for two decades.

The revelation of the moment

This world is not indebted to anyone. And that is why success or failure in life has to be created with masculinity. The world does not favor anyone and so even if we consider many other people as our helpers in our success, in fact you are responsible for success or failure. The successful person builds his foundation on the stone thrown by the other and builds his building on the brick thrown by the other, hence the immense activism in success and the incapacity in failure.

Failing people make excuses for their failure. And the reasons for their failure are constantly growing. Someone will say that I failed because of my parents or because of the social situation around me. Some will say that I could not move forward due to poverty, some will say that there was no benefit from education so I gave up the study. A person sometimes raises reasons for failure to gain sympathy, rarely to satisfy his ego. In fact the failed person should look at himself in the mirror. If he looks closely, he will realize that he is the creator of failure. There is no greater folly than putting a basket of failure on top of another.