Sangeet Mann Ko Pankh Lagaye..Gito Se Rimzim Ras

- The king of Nepal was happy with the singing of young Jasraj and gave him 200 Sonamhoros as a gift: A deer came to listen to Panditji in a program!


No. Song Martand late. Pandit Jasraj was specially present at the Bhajan Sandhya program dedicated to Shri Rang Avadhut in Ahmedabad on the occasion of the fiftieth Punya Tithi of Shri Rang Avadhut, Dattatreya Avatar of Nareshwar two years ago. They sang 'Rang Avadhut Re Rang Avadhut ... Nareshwarno Nath Maro Rang Avadhut' and went to Dhyana Samadhi to the extent that it was as if they were actually getting the vision of Rang Avadhut at that time. Naturally, the classical melody that is uttered from his throat in such a state has an effect on the present audience as if it has been sprinkled with divine charm. The eyes of all the listeners got wet and drowned in a kind of 'trance'.

On the same day, in the morning, I had an hour and a half with Panditji, which was enough to make my life a success. As Rang Avadhut was considered a spiritual guru, he was especially curious to know why Panditji was ready to come to Ahmedabad on the occasion of the 50th Punya Tithi of Rang Avadhut. Panditji knew that not every one of these saints, gods or ashrams went to the program. 'Do you have any special spiritual attraction with Panditji Rang Avadhut?' As soon as he asked such a question, Pandit Jasrajji's eyes became emotional and even slightly emotional.

He said, "I have received the blessings of many gods and goddesses and Siddha Mahatmas over the years, but the blessings of Rang Avadhut are the foundation of what I am now." "Everybody knows that when my elder brother Pandit Maniram's voice suddenly stopped accompanying the melody, we were occasionally training in the company of Maharana Jaywant Singh of Sanand and at the same time a court singer," he said. Sanand lived for three years in the 80's. I used to play the tabla but at that time the tabla player was placed on the stage as a low and low level accompaniment. My first inner desire was to sing.

I used to accompany my elder brother in all the programs and as he was the guru, I wanted to make disciples of the good Bade Khan Sahebs, which I turned down. My brother's voice suddenly went away and we were shocked but Maharaj Jaywant Singh consoled us saying 'Don't mourn at all, sit in the closed door of Kali Mata temple in our palace. See the miracle after the raga ends by pleading with Mataji. It really happened that the voice of the elder brother became more divine. I also had a strong desire to play the mane in the country world.

I once dared to ask Maharana Jaywant Singh with an innocent expression, 'Do I also get blessings like my elder brother by going to Kali Mata's temple?' The Maharana was not only a Maharana but also a Gnani. They must have called for my musical journey sometime. He said, "Jasraj, I feel intrigued that you have to go to Nareshwar (Vadodara-Bharuch route) for this. There is an ashram of Rang Avadhut (Bapji).

Saints like Baapji are sitting. Through this saintly incarnation saint sadhana, Lord Dattatreya has descended into him. Get the blessings of Rang Avadhut by going there '. ..And Jasraj took off to take the footsteps of an Avadhut.

How was Darshan Yoga with Rang Avadhut? Pandit Jasraj said, "As soon as I met the divine eyes of Rang Avadhut, I became absorbed in them. It takes even a few minutes to be mesmerized by the mantra of the goddess of music, but here I slipped into an indescribable feeling in an instant.

I had no pre-faith for them. I first heard his name from Maharaja Jaywant Singh. Yet the color Avadhut did magic on my mind. It seemed as if the connection between us and the debt bond had dragged me so far.

I was overwhelmed by the price of devotional compassion. I said Avadhutji, I want to go all over the world in the field of classical singing. Rang Avadhut asked softly, "Why this?" I replied that 'such a desire is not for worldly fame, fame, fame or earnings but for the world to realize the strength of Indian religion-culture, Indian classical music.

I want to take everyone from music to the journey of God's revelation. Still finished this sentence and I saw that Rang Avadhutji closed his eyes and went to meditate. He said to me at the same time, 'Hear something.' I performed a bhajan but while singing it, I immersed myself in a divine radiant cover as I had never felt before.

I was no longer the same. My singing pervaded the strange tingling romero as if it were a sadhana instead of a sadhana. I never felt that way. As the bhajan ended, I cried emotionally and my eyes closed while singing the bhajan. Even the slightest tear could be seen from Rang Avadhut's closed eyes when he opened his eyes.

After a few moments he slowly opened his magical magnetic eye and said to me, 'Just like the union of voice and spirit formed today, this is how I will create the atmosphere of devotion and spiritual agitation when you sing from now on. (Called Shaktipat). I bless you just because you have the noble spirit to fly the flag of Indian culture and music in the world.

Saraswati resides in your throat. After all this, Pandit Jasraj, returning from the Samadhi of Flashback, added that my color is the fiftieth Punya Tithi of Avadhut and I should not come? I have not come for any program but I have come today with Rang Avadhut to pay my respects by remembering that day through music. After that, Pandit Jasraj always remembers Kali Mata, Hanumanji, Shri Rang Avadhut and other Siddha saints even at the beginning of the program, whether in the country or abroad.

The blessings of Rang Avadhut were so great that if Jasraj performed songs in every program, the bhavjan, vocals and ragas of the same time as the bhajans performed before Rang Avadhut in Nareshwar years ago would be offered as if enchanted.

No matter how talented a person is, if he does not reach the listeners, viewers, spectators and readers, then there is a situation like 'Who saw the peacock dancing in the forest'. For this, it is essential for the talent of the artist, creator or art field to have access to Yash, Keet and Daad to survive forever.

If the blessings of Siddha Sadguru have been received, then the carrot peel will also sound while here, an artist like Yug Purush like Jasraj was blessed. His desire for success was not based on worldly and materialistic passions, maya. He himself was a holy and divine spirit. Saraswati and the saints rejoice over such dignitaries.

Remember that if something is going to happen in one's destiny and blessings are received, then one does not get food directly on the plate. Extraordinary deeds and sadhana are required to attain that fruit. The difference is that if another person works hard, he may not get as much divine grace as he feels.

Jasraj had the blessings of all but to get the fruit from Jasraj to become Pandit Jasraj or Sangeet Martand he did hard musical instruments. He was practicing for 12 hours a day. Extreme restraint in food was required for life. Nanam did not feel like getting feedback and learning even from a small Amtha artist and musician.

Pandit Jasraj was so blessed by Rang Avadhut that in Nepal, his elder brother Pandit Maniram was invited to sing at the court by Raja Bir Bikram. As usual, young Jasraj also stayed with him on stage. While Pandit Maniram was very appreciative of his performance in the Raj Darbar that day but his elder brother was singing, Manoman Jasraj felt with a broken heart that he too would feel thankful if he got a chance to sing in the Raj Darbar in this way.

Now a miracle happened. As soon as Pandit Maniram's singing was over, the King of Nepal looked at Jasraj and said that you also used to accompany Pandit Maniram well. You also do a little presentation. Jasraj wondered how Raja understood his mind. Singing in the royal court for the first time even if the king orders it

The idea of ​​presenting also became very nervous. Look at his brother's attitude. He sought permission from his elder brother. As soon as the brother gladly agreed, he stepped on the stage and took the blessing. He started singing and some subtle force took over Jasraj.

The king and invitees of Nepal were mesmerized. Imagine what that singing would be like. The King of Nepal presented 500 Sonamhoros to Jasraj. Even more special at that time was the review of the program by the musicians in the newspapers of Mumbai and Kolkata.

Most of them were masters and Khans like Bade Ghulam Ali and Gharana. Pandit Vishnu Digambar Paluskar, Pandit Omkarnath Thakur's Gwalior Gharana and Kumar Gandharva got coverage. These giants also write reviews in the newspaper. The place in such a review for the artist was what established it. Jasraj was much talked about and praised in India because of the King of Nepal. His singing was also reviewed and analyzed after that.

His photos flashed in the newspapers. However we should not forget the other legend Bhimsen Joshi too. Who (18-2011) was eight years older than Pandit Jasraj. He made history by singing bhajans and abhangs from the 'Khayal' style and Kirana Gharana. Pandit Sawai Gandharva was his guru. While Pandit Jasraj put on the world stage the wonderful vocals of classical music from the Mewati family.

Pandit Jasraj's hymns, verses, mantras, tunes and various devotional music and hymns are sung by corporate celebrities, employees and celebrities from home and abroad. All these people walk around all day with peace of mind and energy as well as positive movements.

After Krishnakant Parikh, a disciple of Pandit Jasraj, his son Neeraj Parikh, who is a source of pride for us, has also become a disciple of Pandit Jasraj. He has seen Pandit Jasraj showering son-like affection for Neeraj Parikh. Late Nandanbhai Mehta of Pandit Jasraj Saptak and his wife Manjuben probably wanted to be on the first list and politely said that I will be forever indebted to them for providing a platform in my career and for the way they have loved me as a family.

Also worth two memorable occasions.

Whenever Pandit Jasraj came to Ahmedabad to perform in 'Saptak', he would take one of his favorite disciples, Neeraj Parikh, where he had taken music training and spent the early years at the Samadhi of Thakor Saheb Maharana Jaywant Singhji of Sanand. Once he got the blessings of Gurutulya Maharaja.

That night Pandit Jasraj performed 'Raag Mian Malhar' at Kashiram Agrawal Hall. The audience began to feel as if they had been drenched and the rainy weather had frozen. But it really rained even though it wasn’t monsoon after midnight which lasted until noon the next day. This has happened three times in the life of Pandit Jasraj.

Pandit Jasraj performed some of the devotional poems of 'Vinay Patrika' written by Tulsidas in an open atmosphere and stage at the Sankatmochan Hanuman Mandir, a festival held every year on Hanuman Jayanti in Lucknow. Hearing this, a deer came up to the stage and stood up. Standing in the middle of the field, this frightened animal quietly listened to Pandit Jasraj as he approached the stage.

Pandit Jasraj opened his eyes a few minutes later while singing and saw this scene. He bowed to the deer with both hands and slipped deep into the song as if nothing had happened. He was thankful to hear both these occasions on his own.

On the occasion of the 50th Punya Tithi of Rang Avadhut, Pandit Jasraj was invited to give an unforgettable evening gift to 'Abhirang' Group, Dr. Indubhai Dave, Snehalbhai Shah must also be remembered. Let us also pay homage to the Brahmlin Bal Avadhut who had embraced Shri Rang Avadhut for many years.

Only his sadhana has been the land and at present there is also Avadhut Ashram while the love of Shri Rang's grace has also remained on Avadhut. All these Siddha Vibhutis are now present from the subtle body. With his blessings, great and small devotees like Pandit Jasraj have attained divine vision and success.

Nareshwar is now developed but when Pandit Jasraj went to Rang Avadhut's ashram to seek blessings, it was a hut among the forests around the river Narmada. The Guru's order to search for an ashram and to be in the vicinity of Narmada was the land on which he decided to be the land of my sadhana only when he saw sharps and peacocks roaming around merrily.

Regular reading of Rang Avadhut 'Gujarat Samachar'. His literature, culture and articles written by the leaders of freedom, social reformers seemed to him to be thought provoking. Turning his gaze to the news, he said in a mild manner that this is the Ramayana of Kali Yuga. Even today, a fresh copy of Gujarat Samachar is placed in Bapji's Nareshwar cottage every morning with the belief that Bapji is present.

If Pandit Jasraj was proud of the fact that Sanand and Nareshwar are based on Pandit Jasraj's musical journey, then our chests should swell. ... Avadhut Chintan Gurudev Dutt.

Comments