Garbo kone re koravyo ke nandji na lalji re lol

Garbo kone re koravyo ke nandji na lalji re lol

Proud God said that Nandji's Lalji Ray Lol

Garbe halak hulak diamond or Nandji's red ray lol

Garbe plays Subhadra's Veera or Nandji's Lalji Ray Lol

Garbe Rupa's Madaliyan or Nandji's Lalji Ray Lol

Garbe gold chains or Nandji's red ray lol

Proud ... brother shouted that Nandji's Lalji Ray lol

Garbe rame ... Ben's Veera or Nandji's Lalji Ray lol

Our devotee poets have composed many such chants to Garba singing the praises of this vision. If Vallabh Bhatt or Vallabh Mewada's Garba is famous, then Dayaram's Garba is very well known but there are many compositions whose creator is unknown, that is, they are works like folk songs, which are the creations of someone but whose? When? We do not have any details.

'Garbo kone re koravyo ...' is such a folk composition, in which God has written about garba. The garbo is beautiful as it is studded with diamonds, adorned with gold chains. Thus, during Navratri, we throw earthen jars, some put metal jars, but the diamond and gold plated garbas mentioned here are actually installed by someone, right? In this song, it is reasonable to mention the diamond and gold inlaid garba as these garboas are carved by God, then what happens in it? If Subhadra's hero Shrikrishna himself is to come to play Garbe, then Garbo should also suit him ...!

Girls, adolescents or young women sing this garba, in the beginning Krishna is invited to play in the garb, but in every subsequent interval, whoever invites his brother to play garb in the name of the daughter of the house or his girlfriend, such pride is chewed. Here every Ben is worshiped as a common song with Subhadra and Veera as Lord Krishna.

In the sound of thousands of watts of modern rasgarba, such singular ancient garba-bhavagitas are chanting. These are all songs that are sung by girls who go from house to house with pride on their heads or are sung in ancient pride.