Dilne jise chaha tha, ankhonne gavaya hai

- Our Dad's Hero Thinking Thespian Dilip Kumar

- Spectrometer-Jay Vasavada

- Impact Original Acting The emperor has passed away for a while, but his name will be Rangin Roshan for centuries to come.

The shooting of Yash Chopra's 'Mashal' was going on. Anil Kapoor then emerging artist. Dilip Kumar started the second innings with films like Kranti, Vidhata, Shakti. He knows Anil Kapoor's father and director Yash Chopra is his elder brother B.R. Going with Dilip Kumar for 'Naya Daur' when he was Chopra's assistant.

In the movie 'Naya Daur' there was a bullock cart competition in the climax with the bus. Writer Akhtar Mirza, according to the story of the film, showed the cart going ahead and winning, but Dilip Kumar was a little unhappy with the screenplay. It just so happened that things were not going well. Sounds like a movie miracle. Actually the cart can't beat the bus. In the end, he thought that the cart would catch a short cut and enter the bus. The story now fits. The dramatic turn is convincing!

Something similar happened on the set of 'Mashal' years later. The role of Dilip Kumar is that of a principled journalist. And Anil Kapoor's boisterous boy doing taporigiri in Awara street. According to the script, Dilip Kumar appears in one scene and Anil Kapoor looks at him and talks in the other direction without making eye contact. Anil's character was that of a timid young man, so he didn't even count the old man. So don't look at it. Such characterization was done by Javed Akhtar.

Cinema is a different art than literature. Director Yash Chopra had a hard time filming the scene even though the description was frozen. Why set a frame in a camera where a dialogue scene of two actors looks in two different directions? Enter the Dilip Kumar. He recognized the confusion and suggested, "I will slap Anil in the face for being rude. It will also look dramatic on the screen and then we will have a dialogue against this without letting the characterization get in the way! "

This was Dilip Kumar! Thinking Thespian. It is often said to Porsai that before the West saw a method actor in 19 Marlon Brando, we gave world cinema the first method actor 12 in 'Jwarbhata'. Which is true. He got a role in David Lynn's 'Lawrence of Arabia', which he said is more important than Asian skin, leaving the role not strong. Dilip Kumar and Motilal were two natural actors with their own style between the remaining Gregory Pack inspired Dev Anand and Charlie Chaplin inspired Raj Kapoor. But Motilal did not have the stardom charm of an amazing combination of 'Innocent Plus Intelligent' like Dilip Kumar. Dilip Kumar's magic secret was that he had a child-like innocence in his eyes and a genius in his facial expressions like a learned professor. He did not have to perform specially for this 'unique' duo. It was a reflection of his life.

Then and now, Bollywood is a world of illiterates like Thanthangopal in reading or thinking, even in smart speaking. A little reading of what happened to mainstream superstars by Dev Anand, Rajesh Khanna. Artistic and judgmental Raj Kapoor's. If Aamir Khan gives an interview without a dialogue written by someone else, it will sound noisy. As far as Salman is concerned, Salim Khan himself is the father in the acting conversation without him. Ranveer Singh- Ranbir Kapoor- Sanjay Dutt- Akshay Kumar- Ajay Devgn- Hrithik Roshan No one can see any ideological talk with nominal depth in any interview. We are not talking about parallel-art-multiplex movies. We are talking about superstars who rule the hearts. There are only three superstars who read books and read everything in the world. Dilip Kumar, Amitabh and Shah Rukh Khan. In which Bachchan and Shah Rukh Khan have made public confessions many times that they have borrowed from Dilip Kumar for acting in films. So one and only original Dilip Kumar! Can speak Urdu, Hindi, English, French, Bengali, Marathi, Parsi, Gujarati and Persian fluently!

Her official autobiography, Uday Tara Nayyar, was proposed to be written by Savitrinuma's companion Saira Bano, who has been with her husband for the last ten years and has been receiving bonuses for the last ten years. Reads literature, poetry, novels, biographies with interest. I had to keep a store in the bungalow where the bookshelf of the library was full. Carefully preserves books like expensive suits and shoes. Let's go to Kashmir, Manali, Switzerland, whatever romantic places, just like me, keep those books with you. Just like a child gets lost in a game he likes, he gets lost in the morning books. Eugene O. Favorite Authors of Neil, Joseph Conrad, Fyodor Dostoevsky Tennessee Williams M. If the book is not found, read the script. The rule of doing only one film at a time. That is why the director should read more carefully than the writer and suggest his own improvement in the scene! '' (Similarly, he told Govinda not to do too many films during Madhuri Jode's respectable film)

So the impression that Dilip Kumar is directing many real films is also true to a large extent. Behind the scenes, she also wrote and directed Kardar's 'Dil Dia Dard Liya' from Emily Bronte's favorite college novels like 'Woodering Heights'. But NKP, the father of today's India's number one lawyer Harish Salve, later filed a case against him on the same charge. Salve, who was a minister in the Congress government, sat down with him and studied law!

After a triple role in 'Bairag', Dilip Kumar took a break from his tumultuous career for 3 years. Dilip Kumar believed that it was better to listen to the chirping of birds than to listen to the stories of people who come to make films from nonsense by taking money illegally. He took himself and Saira Banu to Dr. Zivago also wrote the stories of 'Kashmir Valley' and 'Kali Sarson' dark skinned girl in style. But never made a film out of it. But after watching his films, he became interested in Harikrishna Goswami who came to be a star like Dharmendra. He kept the name Manojkumar. Name of the character played by Dilip Kumar in the film 'Shabnam'! Manoj Kumar was in the movie 'Aadmi' directed by Bhim Singh. In which Ghost was directed by Dilip Kumar. When Dilip Kumar himself asked Manoj Kumar to go out for three days, Manoj Kumar Dhurandhar later became the director and went to listen to Salim Javed's story 'Kranti' and Dilip Kumar's second innings cameback, which lasted till Umesh Mehra's 'Qila'. By the way, in the film Qila, he said that he enjoyed the dialogue with Rekha Jodi Umravjan and his dream of playing the role of a lawyer who had been doing cross-examination in court for years came true. However, the dream of playing the role of an ideal teacher remained unfulfilled.

After Subhash Ghai's 'Vidhata', which made spicy films in 'Kranti' and later in Manoj Kumar style, in the new generation, Dilip Kumar played the role of Angry Oldman in Revenge Drama. With Prithviraj Kapoor, the mogul did the same with Rishi Kapoor as he estimated with Azam and Raj Kapoor. In the same scene of the clash with Sanjeev Kumar in Vidhata, 'The Legendary Dilip Kumar' got a strong actor who broke out in a sweat. That is, instead of playing the confrontation scene with Naseeruddin Shah in the pre-climax of 'Karma', he shot it separately.

But a memorable scene like Mashal's 'Gaadi Roko Bhai' with 'Su Su Kiya Karta Tha' in Saudagar was Dilip Kumar's signature style of solo scene, which was well picked up by Amitabh in comic scenes of films like Satte Pe Satta, Amar Akbar Anthony Remember which film inspired Manmohan Desai?). Even after a two-three day rehearsal of such a solo scene, Dilip Kumar would shoot all the dialogues together instead of tearing them apart - everyone believed that Dilip Kumar would not like to work with the prince, but let it be like a movie like Paigam - Dilip Kumar - the prince Seeing the crowd, they left without meeting, but put a silver plate as a gift. Engraved above 'Lale aur lale di jaan ke liye, bar bar din ye aaye!'

But Takkar of the Century Dilip Kumar's Mughal was in 'Shakti', not in Azam. Originally, Zanjeer came in 19th, then in 19th Tamil blockbuster 'Thanga Pathakkam' (Gold Medal) in which Shivaji Ganesan played the lead role. There was a story that a conscientious objector gets a medal for killing his own criminal son. Salim-Javed created a whole new story by just pulling out so many strings. Taking Dilip Kumar as the hero. Think of Raj Babbar in the role of a boy hating Nathara Baap in front. But Ramesh Sippy liked the story and decided to take Amitabh-Dilip Kumar and turn it into Sholay.

The roles were not equal. Just as Shashi Kapoor's character in the wall was secondary to Bachchan, so was his son's character secondary to his father. Salim Khan explained this while taking Dilip Kumar's house to meet Amitabh at midnight. Salim Javed also strengthened it by improving dialogues and characterization. Amitabh did power for only two reasons. Standing in a frame with favorite Dilip Kumar and finally dying, the audience gets sympathy.

But Shakti is a rare film in which the character of Dilip Kumar's father gets sympathy from the audience even though Amitabh dies. In the scene of father and son gathering on the beach for the news of Mani's illness, just like the scene on the wall, Dilip Kumar Ganga-Chhora Ganga, who is stuck in the 'wall' from Jamuna, is eaten only by his trademark long pose. In 'Namakharam', in a similar illusion, despite the death scene of Rajesh Khanna, applause was received from Bachchan, it was reversed. However, according to Dilip Kumar, Amitabh did a good job. His analysis was that "the then image of a complete entertainer, which was Amitabh's, suppressed the subtle image of a revolutionary spark against his father." Dilip Kumar showed another mistake which he did not make. Dilip Kumar avoided the role of Nargis' son in the film 'Mother India' by saying that the audience will not be able to digest the fact that I will call Nargis my mother after making six films romantic! After that role, with the consent of Prime Minister Vajpayee, Dilip Kumar, who went to Nishan to get the Imtiaz Award, did the same with Sunil Dutt, who joined him, and Nargis became his wife! But Amitabh made the mistake of accepting the role of Rakhi's son who had a romantic lead in hundreds of films in Shakti!

However, both Amitabh and Dilip Kumar became superstars in Hindi films with loud dialogue delivery, who even showed a comma in the dialogue 'Boli'! Which word weighs and how much pause is the magic of the couple. In an award function, Shah Rukh Khan found out that Dilip Kumar's gift in acting is Khamoshi. Silence. It remained silent, leaving a sentence incomplete - creating an impact with eyes and expressions. That is why when Devdas speaks well, the situation is not good, it communicates to the audience without understanding any jazz literature!

Dilip Kumar kept this constant chew. This kind of talk is instinctively easy to communicate with people without losing decency and class. Maharashtra Governor Bhagat Singh Koshiyari called it the only film he saw in his life. Books have been written on Mughal-e-Azam without expressing love and lust for love. Love to rebellion! From Madhumati's Suha's journey through Prince Salim's Inquilab via An to Tarana, Amar to Jugnu Dilip Kumar's bouncing julfa. In this, a dream queen of Hindustan like Madhubala sent him a love rose. How that love story failed, Madhubala's illness and her father's disobedience is a different article than the subject of the film. But the original star trio of Hindi cinema did not get the love they like in real life! Raj Kapoor didn't get Narsig, Dev Anand didn't get Suraiya, Dilip Kumar didn't get Madhubala!

That is why love compels worship. In such a super romantic charm, the world addicts could not find her true love. Madhubala looks like a flower sitting on a velvet carpet in front of Dilip Kumar's armpits and aristocracy like an articulate aristocrat. However, in the court case of Naya Dor, Dilip Kumar said, "Yes, this woman loves me two times, and I will continue to do so on the last day." R. Given in Chopra's favor. But after the case was over, Chopra told the people the truth and persuaded them to give up. When I went to see Madhubala who was ill at the age of 18, Madhubala asked, 'If I recover, will you do a film with me?' Dilip Kumar said yes. When she passed away, Dilip Kumar had reached Mumbai from the shooting of 'Gopi' and was buried. There the Tragedy King stood alone in the cemetery until late.

Saira Banu saved Dilip Kumar at an unparalleled pace despite her age gap and having a second wife, Asma, for a short time. At one point, Dilip Kumar went to see Ingrid Bergman's acting in a movie theater like For Whom the Bell's Toys to watch three shows from 7 to 8, 9 to 8, 9 to 12 for seven days in a row! Studio Nature that sees only one film, not many. That is why he remembers talking about his native Peshawar in Urdu. When Maulana Azad, at the request of his fruit trader father, asked him to repeat the 'son who climbed the film line', he said, Got such doctrinal advice. Dilip Kumar made acting a holy place by making it a prayer! Sing hymns or get angry - one hundred percent involvement in all. Film stars go to public gatherings wearing goggles Dilip Kumar doesn't wear 'I want to meet people's eyes.' Says the same. Gives long interviews and has a clear opinion on political issues. Gandhi: Respect for Nehru. In this, he told Rajni Patel to approve the Nehru Center in Worli, which has Science Center, Planetarium, Auditorium, Discovery of India Exhibition, and got a Mumbai International Level Cultural Center!

But when Dilip Kumar Moraribapu went to pay his respects, he could not speak and was disabled in old age. Saira Banu survived but those who gave the wheels of acting to Hindi cinema remained in wheelchairs. Like friend Vajpayee. Luckily, the living beings got all the respect, praise and adoration of him. Sangini was found to be enough to understand her emptiness. Personally, his pairing with Irrfan, who looks like a better actor than Dilip Kumar, was not seen on screen, now he will be paired in paradise! The skin is completely dusted, the screen will keep its immortality forever. The star has gone. Shine is on.

Fast forward

'Be it an actor or a character, there is no story. The actor in the film looks good because of the subject. That's why I work less, but I look for good ideas' (Dilip Kumar)