Tollywood.

- Smileram-Sairam Dave

- Gujaratis fought for English, Bawa's two were spoiled and the 'last day' of our creativity came

'What is the main difference between the life of a film and the real life?' Atul asked. I said, 'For two-and-a-half hours in Atul film, the hero loves the heroine and struggles to get married and eventually gets married. But after getting married in real life, the two struggle all their lives.

Atul says it's true man. It never happens that a boy in the society says I love you to a girl in the society and the other forty boys and girls in the street start dancing in the background. I said that in reality, forty friends of the girl's brother have broken the boy's bones.

Some of the things in the films are really gothic. Gabbarsingh did not have a family tribe in Sholay. If Bidi was not a boy, then for whom was he robbing? The answer to this simple question strikes me. Besides, there was no light in the whole village, so everyone knows that Jayabhabhi lights lanterns in the evening. So how did the water tank come for Dharmendra's suicide scene? How did a village that did not have access to electricity reach the water tank?

From the typical Mahishmati town in Bahubali, Pe'lu Mahoru falls to the hands of Hero Prabhasbhai. Wow! In our house, there are three pieces of something lying on the table. Mawa Faki Khai Khai uses the elevator to climb the two stairs of our youth otherwise he gets breathless. This Prabhasbhai climbed from Taleti to Girnar without steps without CDU. Nakki Prabhasbhai, you must be eating Chyawanpras in the morning and evening, otherwise such power will not come.

In the last five years, I have noticed that Bollywood has become dominated by 'Tollywood' i.e. Telugu films. Creative story writers and directors from the South have exposed a number of Bollywood copywriters. The Bichakada Khan brothers have nothing left but to take off their shirts and dance. Some of the strongest films in the South that have to be copied from scene to scene in Bollywood, so what could be a recipe for more creativity?

Yes, Ghazni, Kahani, Dabangg, Singham, Drishyam, Swadesh, Nayak, Bodyguard, Sadma and Labyrinth ...! There is such a long list of friends. All of these films were remade from the South. The Southerners have proved that creativity is directly related to the mother tongue. As a result, they were able to create a pure and family-friendly 'Baahubali' that would earn a blockbuster fifteen hundred crores. On this side, Gujaratis fought for English, Bawa's two were spoiled and the 'last day' of our creativity came. It is said that if Bollywood has a knot, it will break the percentage of Tollywood, but if it has a knot, it will not?

Bearded heroes don't work, trapped ones don't work at all, single-bodied heroes don't get hit at all.

Check the TV, only movies from the South will be playing on any channel from morning till evening. All the heroes of the South, like Rajinikanth, have some special divine power. The Panchmahabhutas are in complete control of those people when they are fighting. A single-bodied hero, like a bow, pushes his feet into the empty ground as a mob of forty comes running towards him with weapons. A gorgeous dust from rubbing those feet

Dummy is produced. In a matter of microseconds, it becomes a dusty cyclone and by the grace of Vayudev blows away thirty-five thugs out of those forty. The remaining five thugs are hit by the same hero with a single bow and the five of them are licking the dust in the basement. But all these miracles are possible only in the films of the South. If we rub our feet like a bow, the new Nakkor slippers of four hundred and fifty rupees will undoubtedly be broken and Bapuji will kill thirty-five mena.

Bapuji of exaggerated metaphor in a fighting in the South, I watched with my own eyes. In which a black mash eats bananas with heroin like firecrackers in Hero Chowk. That's why three thugs come running to tease the heroine. What happened next was overwhelming. The black hero killed a thug with a half-eaten banana and tore the thug's chest. The remaining two pieces of bark hit the other two thugs in the head and the thugs' heads were blown off. Speak up! I have given up bananas after watching this fighting. If the tongue is cut somewhere and the business of speaking collapses! I constantly feel like some of the scenes in Tollywood were written by Sheikh Challi's great-grandfathers.

The way two or three balls are bowled in cricket. In the Fighting of the South, when a hero punches someone, the thug must also hit two or three times. I would like to shorten the article by talking about a fighting that I often dream about. Surrounded by eight to ten thugs, a southern hero breaks the rope and slaps JCB (VBM) lying next to him. After the sixth part of the second, the next iron part of the VBM falls off as it turns off ...! Tollywood's heroes are everywhere from water, air, earth, fire, sky, perfume. Bollywood is busy copying it, and Bollywood is busy copying it.

Filmmakers in the South elevate their heroes to Next to God. Unfortunately, we have also failed to replace the heroes of our Gujarati films. In Gujarat, a film star has to die first to get a Padma Shri. Bitter but true. Sairam's Smile Ram

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How nice it would be if the world was run by small children! Because young children are closer to life than others.

- Sadguru Jaggi Vasudev