Height: The challenge of the destination is the decoration of the trip!

- Spectrometer-Jay Vasavada

- The magic of the combination of Barjatya and Bachchan is a must watch not only for the elders, but also for the youth on the big screen!

"The Idea Is To Die Young, But As Late As Possible!"

Ashley Montagu wrote this quote (translation: The point is to die young, but as late as possible!) on an occasion years ago. Swami Ramtirth left for a foreign journey in a steamer at the age of about 300 years. In it, he saw a ninety-year-old German, who was trying to learn the Chinese language, which is considered a difficult hieroglyph!

After some discussion, Swami Ramtirtha asked the old man, 'Excuse me, but at your young age, what are you going to do by learning such a difficult language? I don't feel well enough to travel to China now. And so much literature is not available. So what is the use of thinking about this at this age?'

The old man said: 'True. I don't use this language to write on the grave. But to sustain this body, a new challenge is necessary. New Challenge. Language is not important. What matters is the desire to learn. When there is no motivation or enthusiasm to learn something new, I will become old forever. Then what if this body lasts longer? I'll be dead inside!'

Well said. Life is like the menu of a large catering service. You will get what you want. If you want hate then hate, if you want love then love. Yes, not from where you want but from somewhere else. Those who discover and learn new things will become new. Seeking the old and condemning the new, it will become old. And when the song is sung anew, the welcome is a fresh blooming flower, not a withered dry leaf. The parrots who teach the Vedas without reading them in the name of Sanatan should know how many times the sages of the Vedas in India have glorified Usha in an unvarnished manner. Ishki poetry speaks of moonlit nights. But in the riches of the Vedas there is the glory of Usha. The redness of dawn and new dawn. The sun is old. But the same day brings a new one every day.

Fresh morning, fresh rstas. Usha's song means a new beginning. Honoring the new identity. The sun has not taken a single day off from rising for fear of evening. Be it as it may, as it comes, at a slow pace, keep accepting change in your own way, otherwise you will become burdened like a 'heavy vessel'. As the child grows from small to big, it has the attraction of new things. Learning something new is fun.

Something similar happened to Sooraj Barjatya of Rajshree Films in the corona period that we made many sugar syrup like films in the name of tradition and family, now that family is not even that era. So let's change a little. So he tried to be a bit modern in 'Main Prem Ki Diwani Hoon' and failed miserably. Because, it was an outside-in change. It was like forcing a village white to wear an old fashioned mini skirt due to market demand. The original idea of ​​Not Comfortable and It Shows has not changed. That is why there was no breath in the message. The new generation is suffocating.

But this time the change is reversed. He has come out from within and that's why he has appeared in Sooraj Barjatya's new film 'Unchai' that came seven years ago. A lot has changed in Corona. People have adopted some online things. Some systems appeared to be permanently dead again from the life approach. Time to relax. In this, Surajbhai thought that anything can happen at any time. Then why wait like 'Kal Kisane Dekha, Kal Aye Na Aye...'? Why wait so much to be happy, spend great moments with friends?

And if change is to be brought, then what to avoid by saying later? Kaun jaane kis gali mein zindagi ki sham aa jaye? If not us, what is the future to wash and drink? Well, the same story - they found Gujarati writer Sunil Gandhi, whom Abhishek Dixit decorated and Suraj decided to re-emerge as per the name. By rejecting how old and well-known. and built height.

The typical champli-chibawli (yes, it can't be called 'clean' now!) Rajshri traditions were completely upended in this film. Like, unlike other Rajshri films, this has a drunken scene, the entire song. (The film's only memorable song) This is not a joint family eating like an anaconda python. (Laughs!) There aren't enough characters to go on an identity parade until the interval. There are not the long preachy dialogues of Hindustani Khoon, which in Gujju dramas are often wasted without shouting Hi Tauba! Here are simple middle class families. There is also a Muslim family. There is a mansion, but the obsession is to be abandoned! There is no character called love, and the thrilling climax is not of family drama, but of what we Gujaratis are mostly deprived of - that of mountaineering! of the mountains!

And after seeing the word of mouth going strong after its release, despite liking it a lot, it was a bit late to write on it because there were twists and turns of the story that had to be revealed somewhere. So mild spoiler alert ahead. The biggest 'high' is that the height does not go the way of the Bagban brand, in which the problems of the old generation are justified by putting all the blame on the new generation. Here are shades of gray like old man's hair. What has remained raw in terms of characterization, you have also raised the questions of today's generation through the character of Parneeti. After the situation with Boman-Nina's children, it is clearly explained that the young generation has the right to live in their own way, to have fun and party and rock fashion. In this, elders should give them space and avoid the itch of bone in dharar kebab. You lived your life. Assume that it is not your children's fault if you don't live. Let go of frustrations without getting angry. Enjoy their respect, but do not dare to question or interfere unnecessarily in their privacy!

Yes, this is Rajshree's film! Realistically. Without any lengthy melodrama. In a natural conversational form. This is a sensible and mature film. Which should be watched by the whole family. This is not a one-sided, old-age-home movie. Actually, in this, the youth learns why to rob the joy that comes with the acceptance of age. In one scene, a heartbroken Anupam Kher asks Amitabh in a cartoon strip version of Snoopy. He suddenly feels the weariness of growing old, and his beliefs are broken, his grief is tormented by the question, 'Why can't everything be the same?'

In response to Bachchan's last few comeback films, Sooraj didn't say that the directors only called out heavy dialogues in the KBC style. Already Bachchan has given a beautiful performance throughout the film. From comedy to tragedy, everything feels that here the director wants Amitabh's character. And it has a class wardrobe. There are amazing costumes. Classy. Impressive contemporary look. It feels refreshing that it has barely got a chance to solidify something. It becomes fresh and flourishes. For Amitabh's fanlog, this 'Amit Srivastava' (Amitabh's original surname is this) is a festival like a gala dinner, a festival. A man who has overcome challenges as high as the Himalayas themselves!

So we were talking about the scene. Why didn't Jaisa live before Sabkuch? It is basically the frustration of old age. There is the pain of passing away. Change takes away a lot of love. Childhood friends, the days of going away, the house that looks green... Nostalgic, a man wanders in the streets of his hometown, sitting in foreign. Many contemporary actors have continuously exploited this loophole. Time is said to be 'time' which does not allow it to remain forever. Nature changes the season sooner or later.

Life is not as colorful as a picture postcard.

In response, Bade Bachchanbabu recites a song, not a philosophy. Kishore Kumar's 'Ye Jeevan Hai... Is Jeevan Ka Yahi Hai Rangrup... Thode Gum Hai, Thode Khushiyan... Kahi Chaon, Kahin Dhoop... Ye Na Socho Is Me' by Kishore Kumar in Rajshree's 'Piya Ka Ghar' 50 years ago. Apni haar hai ki jeet hai... Use apna lo, jo bhi jeevan ki reeta hai.. Ye jid chho, yun na todo har pal ik darpan hai... Yeh jeevan hai!'

Wow, Salam Salam Anand Bakshi Sahib. Bolo, despite having a composer like Amit Trivedi (hence Aam To! Khikhikhi) has to surrender to the 50-year-old Kishor Kumar-Lakshmi Pyare for the film's central theme. Because, the entire film album had the capacity to deliver melodious tunes that would be remembered for years. Alas, Bappi was in a frenzy, here Irshad Kamil's words are playing in the film, apart from the rest of the songs, no song can be remembered by fans on the Internet the day after the film ends. Sometimes the new is proven to be weak!

Back to height. Gently, gently but firmly, the sun has burst the bubble of Rajshri's 'happy family dream'. Here are brothers who do not mix (anupam). There is a sad marriage to be happy only because of the parents (Sarika), grateful that the wife cares, but does not give space with friends, so Bachchan is a 'heavy' man.) Changed without much emotional attachment to old things, business or property. It's just a matter of accepting the times, and there is also a younger generation that is missing out on moms and dads who used to give doses of ideal inspiration.

So family members, seniors and juniors should watch it in theatres. There are well-knit film scenes. But Khatoibhai has done such a beautiful cinematography that even if you go on the Himalayan trek, you will not see all these beautiful scenes. There is a charge for that. The acting of Neena Gupta and Amitabh Bachchan is also fantastic. (Instead of the always loud Anupam Kher, Pankaj Kapoor and Sarika would have been replaced by moneyspinner star Tabu. But that's not a bad thing.) After Amitabh's lackluster performance in Brahmastra, here's a performance reminiscent of 'Black', which is still top notch. With makeup, you can show the cheeks and lips that turn brown later. But for the emptiness in the eyes, you need Bigg Boss Bachchan. The charm of seeing his special friend Danny on screen is so strong that for a short role his onscreen friends feel the same shock!

But the two core messages of the film Height are once again a reminder of the life philosophy of liking and living personally. Which Suraj has given in Farhan Akhtar/ Rajkumar Hirani style package. For one, never put the fun of hanging out with friends in waiting mode. Lose, roam and live life to the fullest as long as you can. Not a false burden, with a wave of joy. It is only for such moments that health or treasury is everything. In the void of the remaining relationship, the body or the bank will all seem pale. So go go go yara, Zindagi na Milegi Dobara.

And secondly, which will be well understood by a quote from the German philosopher Friedrich Nietzsche. Nietzsche said that it will be a very unfortunate day, close to the cataclysm, when man cannot weep over his weaknesses and weaknesses! Meaning, Accept Your Weaknesses. Life is never perfect. Perfection is boring. But as long as there is an awareness of weakness, weakness, limitation, pain, man will keep trying to overcome it, and until then there will be development.

The final gripe is that somewhere in the predictable 'height', the character has overlapped with superstar Bachchan Ekmeek. Freed from the shackles of his image, admitting the mistakes he made earlier, a great man talks not of his strengths, but of his ineptitude, to overcome and conquer it. Then the hard work for its conquest becomes ours too. Because, now it is not fake. Not printing. Everyone has gaps, but the openness to reveal them makes a man a hero! And yes, as Neena Gupta in one of the height scenes realizes late that she has no choice in living according to the choices of others, before that happens, decide what height to climb before you die!

See, on the big screen. Adolescent, together. And say yes - to the trips with friends, to the nature of enjoying new things, to the fond memories of the small breaks in the big journey, happily say yes regardless of age. That's Life. At any age. The flight of dreams and the height of intentions have no age limit or retirement. Well, if you have a companion, the climb doesn't feel difficult even when it's steep!

Fast forward

हार दिन में an entire age

Live your life,

Do not live in Kisto.

Who ever came the clouds of grief,

Keep your spirits up.

no matter how hard it is,

Spread your smile.

dare to own you,

turn the tide of time,

live as long as you,

Don't give up on life.

Do not live in Kisto.

in the desire to gain a little,

Don't lose everything.

Do you listen to the ear?

Do something with your mind too,

Hug yourself

Laugh even with Garo,

Do not live in Kisto.

Whenever and wherever happiness is found,

spread and gather

Live if drunk,

Drink life in every sip,

Do not live in Kisto.

(Joke Tambi)