Sexual attachment to the stronghold of amateurism

- Rasvallari-Sudha Bhatt

- The viewer has to reach the heart of the composition to interact with the artwork

If you say God, then God, and if you say nature, then nature - the praise of being the creator of creation, it becomes sour. Mankind saw the stigma in both this economy and in nature. Took inspiration from it and as a result he also became a creator. Humans with unlimited ambitions put in as much skill, dedication and hard work as possible within the panda and worked tirelessly to reach the highest peak of artistic success as if there was no bet left. In the dimensions of art we find speaking evidence of it. The place of sculpture has been unique from time immemorial through the work of primitive human beings. The basic element of our life, clay, has always been on our side. What could be the reason? We're blending in ... so what? And yes! Water - the life that is symmetrically mixed in the clay, lovingly shape it, soften it, decorate it, then a statue is ready! Also known as idols or sculptures. Human labor takes precedence in this process, from a simple object to an unparalleled work of art. The success of creation gives him satisfaction and fame ... but here ... at this stage man is two steps behind. Beautiful, complete, living "seeming" sculptures are lifeless - abolitionist. Now? This is how life is fulfilled. There is a solution. The captivating heart of the artist and the aficionado can depict the animation in which the artist and the devotee-sagamate are immersed in the liveliness of the artwork at this moment. If the value of life awakens in it, the world will wake up.

Sculpture is a unique branch of amazing 3D visualization

The hills near Joshimath in Uttarakhand are arranged in such a way that they look like "Sleeping Lady" - "Suteli Vanita". Then the sculptor is left with nothing? A similar sculpture is made of stone or clay! The rocks of the river, the rocks of the coast, the sand dunes of the desert, the trees of the forest, etc. are our primitive gurus. The art of shaping the figure of a work and its practice is woven in sculpture. In this art the product forms of many mediums can be obtained figuratively. Sculpture is possible in various mediums including clay, sand, lime, stone, rock, mountain, cardboard, marble, paper, textile, wood, metal, fiber, glass, glass etc. When the sculptor cuts, carves, digs, adds, adds, adorns and observes the process taking place in nature to get the desired shape, the beautiful work is ready. Many Asian countries, including India, Africa, America, Egypt and European countries, from time to time started revolutions in the sculptural period. It was well used in religious places.

Monumental sculptures have not appeared in the Indus Valley Civilization

With the contribution of Japan, the Buddhist style became prevalent in India. Rajasthani, Hindu, Islamic, South Indian, Nagar, Jain, African, American, modern and contemporary styles also prevailed during the Mughal, Gupta, Chola, Chalukya, Maratha etc. dynasties and other times. Let's not dwell on the present tense, our local; No; The lord of international talent - Pon Raghavji Kaneria's famous disciple, Guru Jyoti Bhatt, Ghulam Mohammad Sheikh, Ramesh Pandya's M.S. University - Student from Vadodara, C.N. Let's take a look at the one-of-a-kind Shilparatnos of Shree Ratilal Kansodaria, a retired but active Acharya of Fine Arts College. Rural life breathes in the Rudia of this man. Khardu, roof, neva, patio, paddock, corridor, farm, manure, seam, well, river, padar, trees, animals-birds, beds, ropes, todla and yes Existence has merged like blood.

Do you feel the weight of a baby like Gaddiya?

Ratibhai, who has worked with the media and is still eager to do new experiments, keeps on recreating oxygen in trivial things like tires, pots, bins, carabas. Not with the flow, this senior artist who is swimming in the samavah is standing by as a kind guru and friend of many disciples. He has carved a treasure trove of myths into sculptures. An example of how environmentalist Ratibhai has taken a liking to nature is the example of his two marble sculptures. He knows that he has done magic on the black marble obtained from the mine of Bheslana village near Jaipur in Rajasthan. "Will it be a cart of leaves?" The eyes of the spectators widen. The leaf-shaped car roof, the flower wheels, the front gags feel full, the back rope that adds to the vintage value of the car is also vegetation. "Life is possible if there is vegetation. Only then the car will run .. brother! ' So now Lilalher .. A yane gaadi chali ... Another sculpture also needs black marble - in which thirsty hands are raised high. Water flows from the pot in both hands. The tiny carvings of trees, including roots, leaves, and trunks, say that humans are hoarders. Do other creatures store water? So, brother, save water ... "How do you save such heavy sculptures?" In answer to the question, this unique artist makes the above statement .. Hey .. Shid is gone? Khamo. The picture is still pending, friend!

Lasarko: Even if life cannot be placed in the sculpture, the result of life is Brahmakarma.