A hit song about communal violence on one hand and a Hindu-Muslim love story in 'Bombay' on the other
- 'Tu Hi Re, Tere Bina Main Kaise Jiun ...' is a lyric. Its cinematography is equally superb. This song is sung by Hariharan and Chitra. Here is his swaralgaon of Hariharan chanting.
A. from Pa Haley movie 'Roja'. R. A strong rapport was established between Rahman and Mani Ratnam. Rahman told Manisar that now I will only provide music for your films. Manisar refused and said no, not to do that. Everyone should benefit from your talent. After Mani Ratnam's 'Roja', the film maker did a great job in 'Bombay'. On the one hand, there was a love story of a Hindu youth and a Muslim girl. On the other hand, the communal riots that took place after the demolition of the so-called Babri Masjid in Ayodhya on December 6, 1992. Mani Ratnam incorporated both these things in the film 'Bombay'. Her respected actor Arvind Swamy played the role of a Hindu youth, while actress Manisha Koirala, who is originally from Nepal, played the role of a Muslim girl.
The plot of the film was such that the parents of both the lovers do not agree to the marriage, so both the main characters go to Mumbai. Later, elders also come to Mumbai after their children. Meanwhile, violent storms start in which everyone is killed. Only two children remain, symbolizing a bright future. Remember, in one of Raj Kapoor's songs, the line, Hum na rahenge, tum na rahoge, fir bhi rahgi nishaniyaan...
With 'Bombay' Rahman and we got a new lyricist. His name is Mehboob Kotwal. There were five songs in the film 'Bombay'. Rahman has also taken two or three Bollywood singers in this film probably on the suggestion of Mani Ratnam. Here Chitra, G. V. Apart from Prakash, Swayam Rahman, Shubha Noel and Shraddha, the voices of Udit Narayan, Anupama, Remo Fernandes, Kavita Krishnamurthy and Pallavi Joshi are also heard. Let's remember once again that Rahman's music has more rhythm oriented lines. The same rhythm as what we call Keharvo, but it has been used by western instruments. Two of the five songs are group dances. Two songs are based on classical ragas. If you ask the truth, one of the songs is based on Ragmala. Thankfully Rahman has tried more than one raga. A song is like a combination of both. Come enjoy Bombay song music.
'Kahna Hi Kya, Yeh Nain Ek Anjaan Se Jo Mile...' is a song about the feeling of love at first sight, sung by Chitra, AR Rahman and Chorus. Rhythm resonates more than words and melody. The song has been decorated in a way that the younger generation likes.
What happened after the strangers fell in love is heard in Remo Fernandes' voice - 'Ek ho gaye hum aur tum, to ud jai ninden re, aur khanki payal masti mein, do kangan khanke re...' The song was released as a dance song on screen. done Here too, rhythm is more important than melody.
Srinivasa, Pallavi Joshi, Anupama and Shubha Noel perform the song 'Kuchh Bhi Na Socha, Kush Ho Ke Bola, Gulla Gulla, Halla Gulla...' The song is a fun rock song based on a raga like Rahmane Natbhairav with a nice group dance tune. has held
A song that can be called quite funny is sung by Kavita Krishnamurthy, Udit Narayan, Shraddha and GV Prakash - 'Kuchi kuchi rakkamma, sun lo tum, aachchi achchi gudiya de do tum...' for the children of a married couple in Mumbai. This song is like asking for a doll.
The ragamala based song aa rahe- 'Tu hi re, tere bina main kaise jian, aaja re, yoon hi tadpa na tu muz ko...' suggests that this is a lyrical song. Its cinematography is equally superb. Poonam's high tides cause waves to rise in the sea. One or two waves fall on the hero's body, the hero gets wet and calls out to his beloved. Priyatama appears to be coming, but the director has done a great job. How both meet is worth watching on screen. This song is sung by Hariharan and Chitra. Here is his swaralgaon of Hariharan chanting. This song is the only one in which the rhythmic sound is quite gentle. In this song, Rahman starts with Raag Zinzoti followed by Raag Gavathi, Raag Asavari and finally Raag Charukeshi.
Here Rahman has to be asked to judge that each song is on average five minutes or more i.e. long but the listener is not bored. The strength of Rahman's creativity is that every song has become a pleasure to listen to.
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