I want to play, playing Dholida Dhol Ray

There is talk of hiccups in 'Dholida Dhol Ray Playing ...' and with the touch of Kathiawadi dialect, it is clear that this is a ballad of Saurashtra.

I want to play, playing Dholida Dhol Ray

Hey Ollie who goes to Mairana with a long curly ray,

He calls it peacock dholida ... dholida ...

Dholida Dhol re ...

Hey Oli who goes to Mairana with Rudy Nathanwali Ray,

Hey Annie Tilley says More Dholida ... Dholida ...

Dholida Dhol re ...

Hey Oli who goes to Maiyaran, Ruda Harlawali Ray,

Hey parle speaks more dholida ... dholida ...

Dholida Dhol re ...

Hey Ollie who goes to Riyadh witch with Ray,

Hey Annie, she speaks more dholida ... dholida ...

Dholida Dhol re ...

Hey oly who goes to roost

He speaks on behalf of his peacock ... Dholida ...

Dholida Dhol re ...

In the province of Gu Jarat, the style of folk life that has been created is prevalent and the folk music of Tala is there. Saurashtra's lyrics, livelihoods have been mediocre, so Saurashtra's ballads have largely been composed. The dialect haste of North Gujarat means that the folk songs there are half-hearted. The style of South Gujarat is like Saurashtra and its folklore is like Saurashtra and the life of Kutch is very quiet, tranquil because of the heat, desert thunderbolt means people stopping all day and transporting through camel-like vehicles at night.

There is talk of hiccups in 'Dholida Dhol Ray Vagaday ...' and the touch of Kathiawadi dialect is clear, so this is a ballad of Saurashtra. The rags-to-bees are in the crowd, whether it's a festival or a home-grown field, so their first job is to get a raffle! An hour may pass, and the rest will be gone, as the hours go by.

Given the dholi, why is the color of rasa without the rhythm of the dhol? He instructed Dholi to play the hitch. One of the long-winding stairs that passed through it became the subject of a song. Describing the ghost, Nathani, Tiladi, Harlow, Parlow, Witch, Gujri, Kadalan, Kambi, he made it known that the peacock was taunting. Here the peacock's tuhkara means the happiness of the maidan! The movement of the stairs, the ornaments on the limbs are all indicative of happiness.

The ballad of this ballad gives the message of social harmony. In this ballad composed years ago, the village dholai is honored, the rasas do not start till the dholi sticks on the dhol. In this age, even though there were high odds, the value of dholai was valuable to the human beings.