Kamarudesh Kamakhya Kamaniya Shaktipeeth

Like all living things, human beings can provide basic necessities to survive, but they are unique creatures! As part of his efforts to 'live', a person who chooses an excellent way of life longs for something different. Due to her curiosity, interest in various subjects, scriptures, art and literature, her curiosity and anticipation must flourish. That is why with the help of understanding, the vision of socialism, tourism, general instinct, etc. develops in him. All-round progress occurs when a human being is trained to have faith in another element. The longing to learn something new gives man the gift of a treasure trove of experiences. It is also a joy to share those experiences. When a devotee goes to visit a monastery, he sees the Lord of artistic architecture, sculptures and paintings, then one is immersed in this art. If there is an artist, it is only in those works that Ishtadev is seen! When the artist presents the forms of God in the form of artwork, the devotee gets the benefit of seeing the wonderful art in it! How to get a mind match! Our scholarly author Shri. Knowing that Bholabhai Patel enjoyed the confluence of nature scenes, temples and Assam literature during his travels in the Northeast - after reading it Remembered.

Assam's nicknames are Luit (Lohit) and Kamakhya - mirrors of the culture here

The temple of Goddess Kamakhya has four sections: Garbhagriha, Kalanta, Pancharath and Nat Mandir. The whole construction is inclined from east to west. The sloping roof gives this architecture a distinct look. The pink construction adorns the ocher-colored roof. The exterior with the roof looks oval and honeycomb shaped. The plane (peak) is above the sanctum sanctorum as per the Pancharath plan which rests on the part molded on the plinth according to the Sun Temple of Tezpur in Assam. At the top of the world is a later added wall skirting. Which is of Khajuraho and Central Indian style. In it, the salvaged panels are arranged alternately, over which Anandit Shri Ganesh and other Hindu deities appear. At the bottom of the stone range, horizontal stripes appear on the summit, which are special features of the Kamrup architectural style. There are many small minarets around the peak which are inspired by the Churchla style limbs of Bengal. Seeing Kumbhakalash and Trishul at the peak, it seems that no virgin child is going to take Kumbhakalash on her head and wipe the believer! Yes, there is no picture or idol of Goddess Kamakhya in the temple. Some of the later artefacts are elsewhere in the same complex. Beneath the plane built in the sixteenth century is the sanctuary where a rock is under the ground. The sanctuary is dark, small and flooded. The pond is always covered with flowers. The cave has narrow, straight steps to descend. The Kalanta room is square and has a good style. There are sculptures and inscriptions of Naranarayana on the walls here under the influence of Ahom art.

'Ahom' means Assam. 'Dol' means temple 'Saat Bhanir Rangali Bihu' - New Year festival

The temple underwent several renovations from the 8th to the 17th century. Her style is called Nilanchal

Rich in mountains, tea plantations, unicorns, rhinoceroses, elephants, tigers, bamboos, gomochas, small rivers like Huti, Brahmaputra river, dark forests, Assam has its own rich heritage of art and literature. The sisters wear a sari type dress called 'Mekhla Chadar'. In Bihu, Muga performs traditional dances in off-white weaving of silk, wearing red sari, border sari - offering brass panpati. When people imbued with culture raise the slogan of 'Jai I Assam Bol', we are reminded of Narmad 'Jai Jai Garvi Gujarat'. The importance of Betty is different in this state. Because here in the Shakta temple dedicated to Sivapatni Maa Kamakhya, there is a replica of one of the fifty-one disguised parts of Sati's body called 'Kunwarka' - the vagina, a symbol of nature's creativity and power. The main entrance of this temple, which is very sacred and world famous in the field of technology, has been renovated. Sculptures on a pink stone pillar and a gate arch are also carved. In the middle is a replica of the peak of the original temple on the ascending and descending platform. Apart from the main temple, there are other deities in this temple complex west of Guwahati in which Goddesses like Kali, Tara, Shodshi, Bhubaneswari, Bhairavi, Baglamukhi etc. are seated. Tripura Sundari, Matangi and Kamala Devi are in the main temple. The temple underwent several renovations from the 8th to the 17th century. Anne's style is called Nilanchal which is a prominent style. The hemispherical dome is on a specially shaped platform.

The charm of Kamarudesh is absorbed in the Nahar trees of Assam and the vast Brahmaputra river bed

Here, there is a black stone goddess statue of the Kamaru period. High relief on the wall of Natmandir This idol was carved at Ahom time

To the west of Kalanta is a rectangular pancharath room with five small peaks on its flat roof following the main peak. The middle peak is slightly larger which is a feature of this style. To the left of this same room is the Natmandir. The Ahom style with a sloping roof is called Rangdhar style here. Inscriptions made by Raja Rajeshwar Singh and Gaurinath Singh refer to the time of this architecture. The tribes of the area come from the Kirat dynasty in Kamakhya according to the Khasi and Gara beliefs and the traditional ritual of worship is still acceptable. The temple is said to have been built by the Mlechch kings, as confirmed by the Archaeological Department in the eighth and ninth centuries. Plinthnagar style sculpture. The peak of this temple, built using ruins, has been converted into a brick structure by a Koch architect named Meghmukadam. It used Islamic (Bengali) architectural style. Of course the adhisthan (pillars) of the temple indicate the original town style. Artistic sculptures on the pillars are also true. Here, there is a black stone goddess statue of the Kamaru period. High relief on the wall of Natmandir This idol was carved at Ahom time. Mano's face is benign with a triangular posture. Beautifully adorned and adorned with charan altas. The 'Buranjipratha' that our administrations have preserved history here is a rich document of Assamese language and culture.

Lassarco

Respect for Kaumakhya Tirtha Kaumari Puja ritual.

The new name for 'Save Betty'