Hey Kumar! We are nomadic nuts, you marry a noble bride

- Standing on a rope, Kumar's gaze goes to the square of a mansion in front of him. There, in the form of a heap, a young man, Muni, is feeding and watering the Lord, but the sage does not even look up at him.

Shrestha Dhandatta and his wife Dharini lived in E Lavardhan Nagar with their young son Ilayachikumar. While Kumar was standing in the window of the mansion, he saw a dancing girl in the form of a theater troupe playing in Manekchowk. The captivating smile of this Kamangari settled in Kumar's eye. Going there, one Shrestha Kumar Mati became a beggar and demanded his daughter from Nataraja.

He agreed to give one lakh Sonamhor in return. Then the experienced Nataraja advises, 'Brother! We are the poor of the nomadic race. Your marriage will be happy only if you choose the bride of your peers. ' After hearing the answer, Kumar repeatedly requests Nataraja and finally says, it is our rule that you can marry a Natakanya only after you become a skilled Nat and receive the Rizvi prize for your Natavidyarthi Raja.

Mohavash Banel Kumar goes on parental leave. The mother is stunned to hear this. Dad explains a lot. But Roop Mohasakt leaves his parents and runs away with Natmandali to fulfill his desire.

Taking the form of a nut, Kumar started traveling from village to village with the Natmandali. Kumar and Natkanya are bound by the thread of mutual love, but according to the worldly law, to carry on their religion till the marriage ceremony takes place. Moving on, Kumar comes to his own town with Natmandali. At the king's command, the game began. Today, Cardamom is in high spirits as the king got a chance to fulfill the condition by getting the Rizvi prize. He started the best game. Jivastost's game is played, people clap their hands, but the king is not happy. The king is also in love with the same girl.

The king wonders when this playwright will fall off the rope and die, so that this beautiful playwright may meet me. While for Kumar the king needs to be happy. So he plays a more dangerous game again. Thus he plays three times. Yet the king is not happy. Natkanya, on the other hand, is also very happy after these three games and is worried about the risk to Kumar's life. Look at the curvature of the ritual! On the one hand, the queen and other people praised this Natkumar very much, but the king's mind was not satisfied.

After the second game, he climbed on the rope once again to say the last salutation. Standing on a rope, Kumar's eyes go to the square of a mansion in front of him. There, in the form of a heap, a young man, Muni, is feeding and watering the Lord, but the sage does not even look up at him. Kumar's soul woke up as soon as he saw this scene. With the completion of Karma Vipak, the veil of fascination was broken, as soon as the knowledge was published, the stream of pure contemplation began to flow. The cardamom son thinks, 'Ahaha! Either the renunciation of this sage and my step in the valley of fascination! This pious soul is leaving home and playing in self welfare, while I am trapped in love leaving home.

Thus, in the fire of repentance, the attitude of Ilaichi Kumar began to move upwards. Descending, saluting the sage, getting permission for restraint, holding a five-handed fist, the cardamom sage started walking on the path of restraint. Seeing this scene, Natkanya accepts initiation in the cult of Ilayachikumar. In an ordinary woman, the idea of ​​a higher order conveys the pride of a woman. From this occasion, the king and queen become ascetics, leave Riddhi-siddhi and adopt the path of restraint. Here we are referring to the vibrations of the enlightenment of Aparigraha. This one event becomes an occasion to adopt the character of the four souls.

- Quality Barwalia