'Brahman' contemplation of 'Shakti' sadhana in Indian philosophy: invisible to visible and invisible to invisible dance!

- Unveiled-Jay Vasavada

- In the original Vedic Indian philosophy, life is an eternal festival. Not eternal hypocrisy. The expression of param as if the rays of white light are colored is before joyful and colorful, after meaningful

'Ke na ishitam preshit mat: patati ... / ken yukat: pratham: prana: preeti ../ ken ishitam ijimam vacham vadanti / kau dev chakshu: ksotra yunkati?'

This is the first verse of the lesser known but wonderful 'Canopanishad'. Whose desire makes the mind go to its favorite subjects? Whose planning starts life? Breathing? By whose will do we all speak these words / speech? Who is the God who keeps the eye and the ear attached to his work?

Who is the one who puts us to sleep and wakes us up? Who teaches to laugh at a jock? Who has birth and death in his hands?

And the Purushasukta of the Atharva Veda comes to mind. Who joined the two knees? Who made the holes in the senses? Dear and unpleasant, pain and fatigue, sleep, joy, achievement, prosperity, degradation, progress, happiness, sorrow, birth, death, where does everything come from?

Bolo bolo kaun hai wo?

A disciple of a world-renowned philosopher like Gurdjieff, P.D. Opensky has written a difficult yet invaluable book: Tertium argonum, the third principle. Opensky discusses higher mathematics. One plus one two worldly mathematics, and one plus one infinite supernatural mathematics. The foundation of mathematics is logic. There is logic. The foundation of higher mathematics is not logic, it is magic. Lightning flashes of truth amidst the realization of magical realization and magic is imagination.

Let's understand a little bit. Take a blank piece of paper. What does it cost? One rupee. Now take a ballpoint pen. The paper plus pen cost six rupees as a five rupee math. Now a mystic poet like Gulzar writes an Aflatoon song like 'Dil To Bachcha Hai Ji' on a piece of paper with a pen. Then the producer of the paper pays millions of rupees! For what were these millions paid? Of paper? Of pen? Of the desk?

Gee no! Some incomprehensible magic added to it!

In the case of Gulzar, words are added on paper, in the case of Hussein, color lines are added on the canvas. Then the value of the painter's brush, colors, paper does not remain. The picture becomes expensive. This adds something invisible, which makes general math calculations more expensive. This is Higher Mathematics.

This factor X means art. That is skill. That is skill. That is creativity. That is imagination. That is the beating and clang of some invisible consciousness. The man is present, but the magic goes away. The well of creativity dries up. A cricketer or an artist is thrown out of form. All energy is depleted with age. There is room for something new. May own the well. Own a water tank? It can flow suddenly, even disappear suddenly. And a world as solid, touchable or measurable has emerged around us. At its root are the waves of the mind.

Anonymous is the imagination of factor X. Every grand building is first conceived, only then can it be built. Computers, satellites, mobiles, TVs, car sandwiches, lentils, bikes, books, movies, dresses - everything is a practical, physical form of an idea. That is why new forms keep coming in it. But where does the idea come from?

The TV remote is in hand, the channel changes with one click, the result appears. But there is no wire or light bulb connecting the remote and the TV. Who owns this remote?

Reality is Prison.

The reality is a prison! What we call the world of reality is bondage! Close your eyes, open your mind. In fact a relative has taken your farewell forever. But you can talk to her in your imagination! You are, in fact, a lost human being. You can also dream of being a superhero.

Reality does not go to the planet Mars. But with that in mind you can make science fiction on that planet. When Rajinikanth shoots five feet seven inches, he is a man of limited power. Can also be a hero with unlimited strength on screen. A heartbroken lover can write a successful love story. There is no time, no bond, no boundary on the stage of the mind.

When a man often cannot cope with the fact that he cannot digest the germs, he becomes a fugitive. And slips into fantasy instead of reality. (Virtual reality means Vali) In the same way, creative creators create fairy tales to fulfill the dreams of hope amidst real sorrows. The horse-riding groom 'Raja' at the wedding is one day Ka Sultan's dream. Then again he is going to become a slave hanging in the train with a bag.

Just as simple looking people in real life create a wonderful world by becoming Brahma on the movie screen and the end of the movie or the beginning of the dark world in the theater again, the same green life is going on on the planet of which we are all dancers. Dancing on the dugdugi of Madari, we keep chattering. We keep getting applause by showing our dance world. Dugdugi is heard. The legs tremble. But Madari doesn't look!

'Tadejati tanaijati taddadre tadvantike

Tadantarasya sarvasya tadu sarvasyaya bahyat '

The meaning of the verse of Ishavasya Upanishad is: The self is moving and also stable. It is far, far away. It is inside everything, and it is outside everything!

People all over the world long for Nirvana. An entire lucrative industry of clergy runs from this. But our renunciation is fake. Rajneesh says- He who gives up to get something, where does he leave anything? He is just waiting to get something! In the Hereafter, those who donate for the sake of virtue live in the illusion of giving up wealth, in fact, they only invest, make deals! If instinct is released, then liberation is obtained. Only when it is good does the Lord's grace belong to man. Not of Higher Mathematics!

Even villains are a part of life. Dislikes and tiring tests are also Divine's designs. Throwing that challenge awakens the dormant powers within us. The experience of the real-fake faces of the hypocritical-lying men unleashes our drowsiness. Adversity can also make us more solid, firm, heroic.

There is more energy in doing karma. There is no need to give up karma. But karma is only done by me, it is to give up kartabhav, after untiring hard work only roses grow on rose plants. Even if we say that we flourished with our hard work. But that is not the whole truth. It is true that we did karma to awaken. However, we are not the ones who make the difference. That is an incomprehensible secret! If not here's a new product just for you!

All the great nations of the world have their own history, culture, religion, cultural heritage, legends and memorable characters. Only America is a relatively new and 'fresh' country. And no background from the past. Perhaps taking this as a challenge, the Americans have created their own great characters (Superman, Spiderman Atsetra). 'James Bond', 'Disney Cartoons', 'Star Wars' or 'Marvel Series' are 'crafted' in the style of an epic folk tale. Allready such sagas have become a cult there. He has strict devotees. Tomorrow, hundreds of years later, it may become a new 'religion'. And then come the people who believe in the ultimate truth, like the myths of our gods and goddesses. That is the magic of Vartaras's Fantasyland. But it is not a philosophy called core element. If you open the veil or the veil, you will find Piya. That is why Kabir understands such obvious rituals as children's toys and laughs at Narasimha Mehta by saying 'Pothi pad le jag mua'.

Tao means the self universe! It is about keeping pace with nature. The world is made up and runs on a balance of two complementary energies called 'yin' and 'yang', Taoism says. An energy is luminous, is positive. The other is gloomy, negative. The same thing has been said in Indian philosophy in the name of man and nature. There is a word in Indian philosophy: 'Brahman'. This is the definition of an ultimate element.

Shwetashvataropanishad calls this Param Brahman 'Sat Chit Anand'. This power is eternal, pure, immortal, radiant and eternal, the Ishavasya Upanishad considers it to be a combination of 'Vidya' and 'Avidya' (mental and material) According to the Mrihadarakkayaka Upanishad, Brahman is not gross, not subtle ... It has no body, no shape, no taste, no form, no color, no merits, no taste. Mundkopanishad considers it to be omnipresent and the cause of the entire creation. The 'Kathopanishad' with the dialogue of Yama Nachiketa calls Brahman an element with opposite qualities which is the smallest and the biggest! The same is inside all and the same is outside all. This Brahmatatva does not manage the creation, it is the creation itself, the world! That is the purpose of life and life merges in it! This is Advaitism, which is very well known but very difficult!

Interesting, let's take a deep breath and move on. In the Chhandogya Upanishad, Acharya says to his disciple Shwetaketu: 'Tatva masi' means 'You are A (Brahman).' It is said in the great Aranyaka Upanishad. ‘Ah Brahmasmim’. Meaning, 'I am Brahman (Param Chaitanya)! Shankaracharya has described a state of 'turiyavastha' in which a person becomes one with the param shakti around him by joining the string of the same shakti with him. Such a realization is called: 'Self-realization'!

After reaching the level of Buddhism, there is no Mamatva. Mamatva has no relation after the awakening of Vitragbhav. Witnessing the world does not cause love or grief. There is no difference. Its true loving traveler automatically believes in cosmopolitanism. It has emotions, but not relationships. It can never have permanent anger or permanent hatred. He has a calm mind, a healthy body and a sober life. It can fight for the truth, but it is not violent. He can cultivate his powers with study and concentration, but uses them not for personal gain but for the philanthropic purpose of truth, justice. It has joy in its mind and modernity in its direction.

In the 'Sankhya Yoga' of the Bhagavad Gita, a person is free from expectation, fear and hatred who does not suffer from such pain and does not crave for happiness. Instead of suppressing the senses, it stabilizes them. He knows how to become a witness rather than do deeds. A man like Triveni Sangamtirtha of such truth, love, compassion does not become worldly enough, vairagi or arasik. It remains calm yet dynamic in all streams of life. He can also dance in a discotheque. And hot fafda-jalebi can be swallowed by Tess. He becomes addicted to whatever action he takes. But all those restrictions do not bother him. In short it can 'suffer abandonment'. (Ten tyaktain bhunjitha!)

Feeling tough? The Bhagavad Gita easily explains that there is no problem in subjectivity, but if one keeps attachment to it, then temptation comes from it. From greed comes fear, from fear comes anger, from anger comes foolishness, from foolishness comes hatred and from hatred comes knowledge. (Star Warsom is the dialogue of the film: Fear Leads to Anger, Anger Leads to Hate, Hate Leads to Suffering!)

The Yajurveda says that the way to penetrate this magic is 'mind'. The man who achieves his mind by working on the idea becomes a triad of the past, future and present. It can become one with Brahman and awaken wonderful powers. It can direct the power of the supreme element in the right direction. There are two options on the way to becoming a 'master of the mind': one is the way to 'credit': which is difficult, but beneficial in the long run. Another path of 'love' which is easy but dangerous!

Both the Guru and the disciple are students in the process of acquiring Pragya through personal travel to India. Both of us are constantly learning from each other from life. This creation, the creator, the operator of this universe, is an invisible 'Divyashakti'. 'The Force'. It is the accumulated life force of all living-dead-living-inanimate objects. There is a dead soul in it, and a stone too!

It is constantly around us, but very few can feel it. The force also has a darkness full of shock and aggression. You are the seed in the tree, you are the tree in the seed. That is why India does not differentiate between Saguna Sakar and Nirgun Nirakar. The same Alakh Niranjan is formless invisible, but the same is expressed visually according to different beliefs and realizations. There are complementary imaginations of everything, but not the final destination, there are different level wise stations along the way.

Force does not strike at Satan like a divine wrath, but it can be used for the right purpose. Even though it is invisible, the electricity we see every day is also the energy of the scientific 'force' of atoms! It is impossible to overcome the force, only to join it! Be one with the force'- to put a man's ego and blend in with nature!

This is the ultimate truth of consciousness. From which the word Tu came is the eternal natural truth in Vedavani. Different from the worldly changing truth. Most of the other material truths are based on our point of view only! Like 'Anekantism' of Jainism. That is why a true Sanatan Indian cannot sustain the distinction of religion or class if he wants to. He can see the same colorless water droplets in the colors of the rainbow or the colors of the peacock feathers in the moonlight. That separatist considers the whole world as his own.

Holding the same original thought, Buddha and Mahavira proceeded in different ways. This led to a wonderful Japanese-Chinese tradition called Via Tao 'Zen', in which the witness is said to focus on one moment at a time. The only way to dissolve the ego in the union of man and nature was to enjoy Chiranjeev Chidananda. In which sex was celebrated as a glimpse of that state.

In the original Vedic Indian philosophy, life is an eternal festival. Not eternal hypocrisy. The expression of Param as if the rays of white light are colored is before Joyful and Colorful, after Meaningful. Sex is sacred, nudity is pure and sex is the green of life! Intimacy is also interesting. So the acceptance of the feminine element is the worship of energy, which is passion through energy. The woman is powerfully attractive and charming. Independent and beautiful. There are nine dimensions to the study and experience of becoming powerful: interest, joy, safety, humanity, policy, love, knowledge, beauty and (not scriptural but scientific) truth.

Shaktipuja celebrating the femininity of creation is a gift of Tantra which also becomes socially accepted for Navratri and instead of repeating the old scriptures in a joyous dance song, through the transformation of the folk tradition of forgetting oneself, the fire of Bhavsamadhi and the new Anuan without mantra or lamp!

Xing Thing

The heart of a dancing man cannot be pierced '(Rumi)